mUltimate Chopin

Op. 63 No. 1, Mazurka in B major

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b. 1-7

composition: Op. 63 No. 1, Mazurka in B major

Crotchets in AI

Quavers in FE (→GE,EE)
..

Probably in [A], or perhaps only just while proofreading FE1, Chopin changed the rhythmic notation of the first eight-bar section – he replaced the crotchets at the beginning of bar 1, 3, 5 and 7 with quavers filled with quaver rests. In the remaining three similar phrases he left crotchets (bar 9, 11, 13, 15, 69, 71, 73, 75, 77, 79, 81 and 83). According to us, such a change is probably to be regarded as a clarification of performance, marked the first time but generally valid in all these places. See also bar 3. 

category imprint: Differences between sources; Corrections & alterations

b. 1-2

composition: Op. 63 No. 1, Mazurka in B major

No sign in AI

in FE (→GE,EE)
..

category imprint: Differences between sources; Corrections & alterations

b. 1

composition: Op. 63 No. 1, Mazurka in B major

Mazourek with no dedication in AI

3 Mazurkas in FE

Trois Mazourkas in GE

Souvenirs de la Pologne in EEW

Mazurka in EEC
..

category imprint: Differences between sources

issues: EE revisions , Dedications , GE revisions

b. 2-14

composition: Op. 63 No. 1, Mazurka in B major

Staccato dots in AI

No dots in FE (→GE,→EE)
..

category imprint: Differences between sources; Corrections & alterations

b. 2

composition: Op. 63 No. 1, Mazurka in B major

g quaver in AI

Semiquaver g in FE (→GE,EE)
..

category imprint: Differences between sources; Corrections & alterations

issues: Dotted or even rhythm